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The Havana Biennial, a space for confrontation and reflection of particular relevance in the international scene of the fine arts, will celebrate twenty-five years of existence with its tenth edition, which will bring together more than 200 artists from some forty countries from March 27 through April 30, 2009.

"Integration and Resistance in the Global Era" will be the central topic of reflection. Projects and works from Latin America and the Caribbean, Africa, Asia and the Middle East, and to a lesser extent from North America, Europe and Australia will handle the problems of integrating to a highly complex global world due to the peculiarities of so many societies and cultures and the way in which there is an attempt to resist the hegemonic trends that strive to homogeneize from other territories the repertoire of ideas and forms.

Without pretending to offer solutions or answers to a reality that day after day reveals the complexity of its structure from different angles and outlooks, the Tenth Havana Biennial seeks to reflect on such an interesting and valid modern phenomenon that is one of the main pillars at the base of the debate on the identity of individuals, groups, communities, countries and regions.

Once more, the colonial buildings of the Historical Center and other cultural spaces will be granted new meaning and significance for the visitors of a city that will become a meeting point of transdisciplinary and experimental proposals in the visual arts and other forms of culture.

The tenth edition will be a favorable ocassion to stimulate the reflection on the history of the Havana Biennials and the premises on which, in a genuine atmosphere of approach, it first convoked the creators of Latin America and the Caribbean, Asia, Africa and the Middle East already twenty-five years ago.

Chasing a Utopia
“The architect [Roberto Gottardi] is both subject and object of a work that operates as video installation.


“Encuentro” with Inti Hernández: For the Restoration of Enigmas and a Contemporary Reflection
Without pretending to reduce a work of multiple meanings –like that of Cuban artist Inti Hernández (Villa Clara, 1976).


Theoretical Event: A Calm Analysis
On Friday, April 3, the Theoretical Event of the Tenth Havana Biennial came to an end.


Summa
If the criterion about who is occupying a space were immediately understandable, that vault covered with small palms discreetly leading the row of workshops and surrounding the faculty's courtyard .


Domes in Biennial
On the eve of the Havana Biennial, the ISA domes become an exhibition space in parallel to the sample in the gallery and outdoor areas.


Change and Out
In the context of the Havana Biennial, the collateral exhibition of the Higher Institute of Art has been a point of reference at different moments in the history of this international event.


Art: oneiric?
In the contemporary world, the economic-political-social and cultural system totalizes and manipulates the spaces and forms of expression.


THAT’S SOMETHING!
“Every story is contained in the language”, 1 in the word; that one that builds for us a whole symbolical imagery in which we exist: “we do not make the language, the language makes us”. 2


LOST FAME
Group memory, as bearer of knowledge on men and their history, has become through the years a recurrent theme in the work of many creators.


“Correspondencia” (AEA) at the Havana Biennial
The presence of works in public spaces has characterized particularly the Tenth Havana Biennial.